Showing posts with label Gabriel Aresti. Show all posts
Showing posts with label Gabriel Aresti. Show all posts

Tuesday 21 December 2010

103. AVE trains

21st December 2010. It was announced during Télé Matin (France2's breakfast TV) this morning that Spain has become the European leader in high speed train technology. With the opening of the Madrid - Valencia line last Saturday, Spain's AVE High Speed Rail network now operates over 2,000km of track compared to ~1900km of TGV in France and Spain's high speed rail network is set to grow further in order to meet the target of ensuring that all major cities in Spain are no more than 4hrs from Madrid. This clip (apologies for the 'iffy' quality) shows the space age looking RENFE AVE train..

And another one:

Meanwhile, here in SW France, there is much local opposition to the further extension southwards of the French LGV (Ligne Grande Vitesse = high speed track) through the politically sensitive Pays Basque. It is planned to be completed by 2020 but a lot can happen in the intervening years. I've noted elsewhere that the Basques have an almost visceral attachment to their houses, farms, land and their 'Pays' and I don't think that the central planners in Paris have quite hoisted this fact on board. It's my guess that future opposition will take a more concrete form. The debate is far from being over.

The long term strategic vision is clearly to put in place a high speed rail network that will straddle Europe and link up all the major capitals. A laudable enough ambition you might think. However, the southern extension of the LGV through the Pays Basque will generate even greater opposition than we've seen so far. Looking at it from the point of view of those directly concerned, ask yourself the question - how will this new line benefit them? Are these the sort of people for whom a shorter rail journey to Paris is a boon?

I'm reminded of the story of the contribution to an egg and bacon breakfast from the point of view of the chicken and the pig. By providing an egg, the chicken has an interest but in providing the bacon, the pig is committed. In the case of the Pays Basque, we stand to lose far more than we'll gain.

As far as I can see, while the spread of LGVs across the map of Europe might convince our elected representatives in Paris and beyond that they are achieving something and that they are doing us a favour, the reality is that no-one here wants what they're offering. Opening up this blessed corner of France to an increased level of mass tourism is not something the people here need or want. The new line will cause local property values to take yet another upward hike thus making it virtually impossible for locals to keep a foothold in their patrimoine. It's estimated that 1300 homes will be touched by the LGV. Unfortunately though, in matters like this, it's usually the "big battalions" that win the day. If anyone needs a reminder of the ties that bind the Basques to their homes, take a look at this poem by Gabriel Aresti that I featured in an earlier post.

I despair of reading about high speed trains in the UK. Our politicians - of all colours and persuasions - are incapable of looking further ahead than next week and investing in long term infrastructure plus they seem to lack the political will, imagination, drive and competence to bring in a major project on this scale. So far, the only winners appear to be the plump legions of rail consultants who, for years, have been making a nice living out of advising successive British governments. All that's on the table at the moment is a nebulous project to join London and Birmingham with a high speed rail link but, yes, you've guessed it, the Transport Minister has his long screwdriver out and is fiddling around the edges with the routing. The history of high speed trains in the UK makes for sorry reading. How many decades are we behind? Our current main line express trains (built 20 years ago) have been re-branded as InterCity 225.. the "225" element being its top speed in kph.. which is intended to sound faster to the long-suffering travelling public than 140mph. I know from bitter experience that trying to drink coffee on an InterCity train whilst dressed for a business meeting is not to be recommended (unless you have a good dry cleaner). In contrast, the TGV is rock steady at 300kph - or 186mph - whichever you prefer. And just to drive the point home, the TGV entered service between Paris and Lyon in 1981.

PS Still no snow! Yippee! And the forecast for tomorrow (22nd) is for - you're not going to believe this - 17C!

23rd December 2010. I went to Cazenave in the centre of Bayonne yesterday afternoon for one last item for Madame's Christmas stocking.. I've mentioned Cazenave before here but each time I step over the threshold and enter what can only be described as a Temple of Chocolat I'm stopped dead in my tracks by my olfactory sensors going straight to Red Alert..! The intensity of the rich and all-pervading aroma of chocolate is astonishing. Normally, the shop is staffed by one or perhaps two ladies. Yesterday there were five in there.. 

At Cazenave, they make their own chocolate - from cocoa beans to the finished product. The window is decorated with beautifully made items in chocolate ranging from simple castanets to sculpted boxes - made of chocolate - for filling with chocolates. If it's a box of chocolates you want, they have a range of empty boxes on display from which you select the size you want and then your assistant will fill it with the individual chocolates that you select from the range on display.

Yesterday I was there to buy a box of Marrons glacés. Once the assistant had finished filling the box she weighed it (having first weighed the empty box!) and wrote the price down for me to take to the cash desk while she automatically gift-wrapped the box. While I was paying, the charming lady at the cash desk offered me a dish of dark chocolate pastilles. I once hit the jackpot with Madame with some marrons glacés I'd bought in Italy that had been dipped in plain chocolate - but I've given up trying to find some here in France. I found an online supplier in Spain but they wanted 35€ just to post them here..
I'm reminded of one of Woody Allen's old stories. He was telling a friend that he had a new job down at the local strip club.

His friend asked, "How much a week..?"

Woody replied, "Two hunnerd bucks.."

His friend commented, "That ain't much.."

Woody sighed, "It's all I could afford..!"

I almost told that story to the lady on the cash desk in the context of a woman working at Cazenave but I decided against it - there's nothing worse than a blank look. My ability to tell a story in French isn't up to it.

I must brush up my Ferrero Rocher pyramid building skills.. the centrepiece of all diplomatic receptions... apparently (!)

 

Saturday 27 March 2010

52. Ramiro Arrue - his vision of the Pays Basque.

27th March 2010. Visitors to the Pays Basque with an eye for the graphic arts will soon become aware of the stylistic influence exerted on the self image of the region by the celebrated Basque artist Ramiro Arrue (right) of Spanish nationality.

More than anyone else that I'm aware of, his paintings define the region and capture the essence of the Basque identity. His work is deceptively simple and it portrays the rural Basque people at work and at play.

The Basques have an especially intense relationship with their houses, their farms and their land. This is perhaps best illustrated by a poem - My Father's House - by Gabriel Aresti, 1963 (translated from the original Basque):

I shall defend the house of my father.
Against wolves, against drought, against usury, against the Justice,
I shall defend the house of my father.
I shall lose cattle, orchards and pinewoods;
I shall lose interests, income and dividends,
But I shall defend the house of my father.
They will take away my weapons and with my hands
I shall defend the house of my father;
They will cut off my hands and with my arms
I shall defend the house of my father;
They will leave me without arms, without shoulders and without breasts,
And with my soul I shall defend the house of my father.
I shall die, my soul will be lost, my descendants will be lost,
But the house of my father will remain standing.

(Reading the above lines explains the passion the Basques feel for their houses and the fierce local resistance here to the southern extension of the special track for the TGV which is planned to pass through the Pays Basque - that will necessitate the demolition of ~140 Basque houses.)

Born May 20, 1892 in Bilbao, Ramiro Arrue studied in Paris and associated with Picasso, Modigliani and Cocteau. He settled in St Jean de Luz in 1917 where he remained for the rest of his adult life. Despite choosing to live in France, he retained his Spanish nationality and as a result was arrested together with other Spanish Basques in 1943 and imprisoned in the fortress at St Jean Pied de Port.

He resumed painting in 1945 and he found his main inspiration for landscapes, portraits, and everyday scenes. His style is figurative, featuring simple, even austere, lines with an almost monumental quality and muted colour harmonies. The academic Hélène Saule-Sorbé wrote: "The colours of Ramiro Arrue's brush are a trilogy: green, white, red. The permanence of heraldry, a sign of belonging, the palette of a country of green hills, of bright white houses whose roofs and woodwork is red".

He died alone in penury in Saint-Jean-de-Luz on 1 April 1971.

A prolific artist, we see his work regularly surfacing at a gallery in St Jean de Luz but they command high prices.

Here's the real thing: